Painting With Light Review

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Painting With Light ReviewI really had to laugh when I read the review of one film school student who was looking for books on lighting that explained how to do lighting "fast, cheap, and beautiful." In that statement lies the failure of todays film schools, and the genius of "Painting with Light".
In filmmaking we are faced with the same Paradigm that faces all industries. The pyramid = Fast, Good, and Cheap. Each of these occupies its own corner of a standard triangle. But here in lies the rub, you can only choose two: good and fast, fast and cheap, cheap and good, etc.
"Painting with Light" comes from an era were most of Hollywood understood this paradigm. Most people in Hollywood, particularly those in "Key" positions knew that good, if not great, lighting took time, and often time took money.
It's an excellent book for those that wish to know more about the general technical requirements of film. Along with "The 5 C's of Cinematography". I would also reccomend, if not require, this book for any aspiring indie filmmaker. Want to make a movie that competes with the majors? Learn what the majors know, and forget what they taught you in film school.Painting With Light OverviewFew cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography.

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Film, a Sound Art (Film and Culture Series) Review

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Film, a Sound Art (Film and Culture Series) ReviewI perhaps-too-hastily gave this book 5 stars upon only having read a couple chapters (I finally ordered my own copy just the other day), but based on what I read, those who like Chion will absolutely not be disappointed. Plus, I think you might be familiar with versions of some chunks of it from periodical publications in the past. He is a generous and usually insightful (and frequently brilliant) thinker, and usually a mercifully clear writer (by the standards of so much French theory of his generation).
Here, however, is the TOC, which is missing from this Amazon product page, perhaps useful if you're wondering whether to invest:
Preface to the English Edition ix
Translator's Note xiii
Part 1 History
Chapter 1 When Film Was Deaf (1895-1927) 3
Chapter 2 Chaplin: Three Steps into Speech 21
Chapter 3 Birth of the Talkies or of Sound Film? (1927-1935) 31
Chapter 4 Jean Vigo: The Material and the Ideal 59
Chapter 5 The Ascendancy of King Text (1935-1950) 67
Chapter 6 Babel 85
Chapter 7 The Time It Takes for Time to "Harden" (1950-1975) 99
Chapter 8 The Return of the Sensorial (1975-1990) 117
Chapter 9 The Silence of the Loudspeakers (1990-2003) 147
Chapter 10 On a Sequence from The Birds: Sound Film as Palimpsestic Art 165
Part 2 Aesthetics and Poetics
Chapter 11 Jacques Tati: The Cow and the Moo 189
Chapter 12 The Disappointed Fairies Around the Cradle 201
Chapter 13 The Separation 221
Chapter 14 The Real and the Rendered 237
Chapter 15 The Three Borders 247
Chapter 16 Audiovisual Phrasing 263
Chapter 17 Alfred Hitchcock: Seeing and Hearing 281
Chapter 18 The Twelve Ears 289
Chapter 19 Orson Welles: The Voice and the House 321
Chapter 20 The Talking Machine 327
Chapter 21 Faces and Speech 353
Chapter 22 Andrei Tarkovsky: Language and the World 379
Chapter 23 The Five Powers 385
Chapter 24 God Is a Disc Jockey 407
Chapter 25 Max Ophuls: Music, Noise, and Speech 439
Chapter 26 Like Tears in Rain 453
Glossary 465
List of Illustrations 501
Index 507Film, a Sound Art (Film and Culture Series) Overview

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The Midnight Eye Guide to New Japanese Film Review

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The Midnight Eye Guide to New Japanese Film ReviewFor modern Japanese film, Midnight Eye is the definitive information source. Tom Mes and Jaspar Sharp's website covers film reviews, interviews, DVD releases, feature articles, a calendar of events and film festivals, and absolutely anything an interested person would want to know. With such a pedigree, there are no more qualified people to write a guide of this kind.
"The Midnight Eye Guide to New Japanese Film" is as excellent as one would expect, an essential book for those interested in modern Japanese film. The layout is well-balanced, covering director profiles and film reviews, using both original material and previously featured articles. The writing is crisp and clear, and each chapter provides insight even on topics where one is knowledgeable. Over 100 photos show some of the visual highlights of this visual media.
Each chapter focuses on a director, from history to motivation to style, with a review of that director's top five or six films. Being new Japanese film, the profiles begin in 1956 with Seijin Suzuki ("Elegy to Fighting," "Tokyo Drifter"), a complicated and controversial director. With the Criterion Collection currently making a push of Suzuki's catalog on DVD, this makes a great starting point and leaves me looking forward to each new release. All of the major directors are profiled, such as Shohei Imamura ("The Eel"), Kinji Fukasaku ("Battles without Honor and Humanity" "Battle Royale") Masato Harada ("Bounce KoGals"), Kiyoshi Kurosawa ("Cure"), Studio Ghibli luminaries Isao Takahata ("Grave of the Fireflies") and Hayao Miyazaki ("Spirited Away"), Takeshi Kitano ("Hanabi"), Takashi Miike ("Ichi the Killer," "Audition"), Hirokazu Kore-eda ("After Life"), and Hideo Nakata ("The Ring"). Other, lesser-known directors are also given their due, such as Nara-based naturalist Naomi Kawase ("Suzaku.")
The final section covers what they call "The Other Players," those who have put out a film or two of exceptional quality but hadn't yet established a solid career in the same rank. Animator Satoshi Kon's "Perfect Blue," Masayuki Suo's "Shall We Dance?," Mamoru Oshii's "Avalon," Juzo Itami's "Tampopo" and Mitsuo Yanagimachi's "Fire Festival" are all given their due. More than just simple film-reviews, the authors pack each spotlight with as much interest and insight as their director profiles.
With Donald Richie's seminal "100 Years of Japanese Film" covering the past, it is great to see such a qualified inheritor of the future. Anyone interested in Japanese film will be pleased with "The Midnight Eye Guide to New Japanese Film," both for its insights into current favorites as well as the host of new favorites that they will undoubtedly discovered.The Midnight Eye Guide to New Japanese Film Overview
An eye-opening portrait of a vibrant film culture, The Midnight Eye Guide to New Japanese Film is the most comprehensive study of the Japanese filmmaking scene yet written. Tom Mes and Jasper Sharp explore the astounding resurgence of Japanese cinema, both live action and animated, profiling 19 contemporary Japanese filmmakers, from the well-known (Kitano, Miike, Miyazaki) to the up-and-coming (Naomi Kawase, Satoshi Kon, Shinya Tsukamoto) and reviewing 97 of their recent films. With 100+ images from behind and in front of the camera, this is a book any film lover will savor. Foreword by Hideo Nakata, director of Ring.

Tom Mes (in Paris) and Jasper Sharp (in Tokyo) co-edit Midnighteye.com, the premier English-language website on Japanese cinema.


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The sword dances of Northern England: songs and dance airs Review

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The sword dances of Northern England: songs and dance airs ReviewA word of warning to the public. This is a mistitled book. It is NOT a film encyclopedia. You cannot look up specific films. Basically, it is a collection of brief biographies of people in the movie business with some unnecessary technical terms thrown in. At the end of each entry is a list of the films in which the subject has appeared.
Fine as far as it goes, but if you want reference work in which you can look up who played the role of Bubba in Le plus Vieux MŽtier du Monde, this is not it.The sword dances of Northern England: songs and dance airs Overview

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