Chicot, The Jester. Review

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Chicot, The Jester. ReviewIn some ways this is my favorite Dumas and thus I think that it ranks with the Count of Monte Cristo and the Three Musketeers. The action takes place during Henry III's reign and follows two intertwined plot lines: 1)the adventures of Chicot, the king's "jester," and 2) the love intriques of Bussy d'Amboise and the tragic Dame de Monsoreau. The political rivalries of the various aristocratic court factions is entertaining and interesting and, it is my impression, fairly (but not completely) accurate history. Though Chicot is an invention and the historical Bussy (a footnote character of the period) highly highly romanticised. Who cares if a small liberty or two are taken? Chicot is marvelously drawn, a wonderful character who both loves and despises his weak and highly flawed benefactor, Henry III. Chicot is clever, cunning, brave and decent but interested too in his own interests. He is also a proud but poor Gascon gentleman. He manipulates the king for his own amusment but also for good purpose. Were the book only about him it would be a great read. But even better, Dumas gives us Bussy d'Amboise, Louis de Clermont, Comte de Bussy, the brave, proud, handsome, man of honor who personafies the French aristrocratic (especially the post-Revolution, 19th Cent. Romantic notion of,) ethos. The romance between Bussy and La Dame (Diana) is romantic indeed: he is injured in a cowardly ambush (in which he defends himself magnificantly, of course) Diana nurses him but secretly and her identity remains a mystery for sometime. Poor Diana has a tragic situation and eventually, Bussy manages to find her etc... The ending is unforegettable and provides the basis for the sequal: The Forty-Five Guardsmen: an uneven story with some good moments, but sadly, inferior to this. Note: "La Dame" is the sequal to Marguerite de Valois (see film: La Reign Margot aka Queen Margot) I first read this when I was about 19 and it is still great, great fun 21 years later. If you like any Dumas, you'll like this alot. Technically, of course, this is not great literature but it is great in its own way.Chicot, The Jester. Overview

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The Confessions of Jean-Jacques Rousseau Review

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The Confessions of Jean-Jacques Rousseau ReviewRousseau's Confessions had been on my book shelf for at least two years before I got motivated to read it. I had started it a few times, but never got beyond the first chapter. I read quite alot, though, and the Confessions seemed to pop up everywhere, in History, Philosophy, and especially in articles on influences in Literature. Flipping through it, it seemed dry and the passages boring and out-of date. But I told myself I must read it, if only to better understand the references that kept drawing from it. Once I got past the first chapter, I found I simply could not put it down. Admittedly, I had the extra advantage of knowing alot about the period in history and the life of Rousseau himself, but that wasn't the magic of the book. It was Rousseau himself who seemed to come alive through the pages. The tortured honesty on every page which excited and shocked me kept me up late every night until I was finished. There were times I simply had to put the book down, catch my breath a little, and think, "Oh My God! I can't believe it!" After, I realized I had finished one of the best reading experiences of my life. It ranked right up there with "The Red and The Black", "Les Mis", "Crime and Punishment" and "Anna Karenina". This book will live through the ages, I had read a hundred times but dismissed it. I only hope you are more trustful than I.The Confessions of Jean-Jacques Rousseau Overview

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Doll's House, Lady from the Sea (Everyman's Library (Paper)) Review

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Doll's House, Lady from the Sea (Everyman's Library (Paper)) ReviewThe Norwegian playwright Henrik Ibsen subjects his writing to the intricacies of marriage time and time again. He seems to have an omniscient power and ability to observe the sacrament itself, along with the fictional characters whom he creates to engage in these marital affairs. Such is the case with his classic drama, A Doll's House.
The play raises questions about female self-sacrifice in a male-dominated world. Nora is a "wife and child" to Torvald Helmer, and nothing more. She is his doll, a plaything on display to the world, of little intellectual value and even less utility in his life. Thus it is logical for Helmer to act so shockingly upon his discovery that Nora has managed financial affairs (typically a family responsibility reserved for the patriarch) without so much as his consent or knowledge. What, then, is the play saying about women by allowing Nora to act alone and independently, all the while allowing her to achieve little success in doing so?
Such an apparent doubt by the playwright of the abilities of women is quickly redeemed by Nora's sudden mental fruition, as though she, in the course of a day or so, accomplishes the amount of growing up to which most persons devote years and years. She has developed the intuition and motivation to leave behind everything she has lived for during she and Helmer's eight years of marriage in exchange for an independent life and the much-sought virtue of independent thought. Nora suddenly wishes to be alone in the world, responsible for only her own well-being and success or failure. She is breaking free of her crutches (Helmer, her deceased father, the ill-obtained finances from Krogstad) and is now appetent to walk tall and proud.
Through the marital madness of Helmer and Nora, Ibsen is questioning the roles of both husband and wife, and what happens when one person dominates such a relationship in a manner that is demeaning to the other, regardless of whether such degradation is carried out in a conscious, intended frame of mind. Ibsen is truly a master playwright, and his play A Doll's House is truly a masterpiece.Doll's House, Lady from the Sea (Everyman's Library (Paper)) Overview

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