Showing posts with label oxford worlds classics. Show all posts
Showing posts with label oxford worlds classics. Show all posts

Chicot, The Jester. Review

Chicot, The Jester.
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Chicot, The Jester. ReviewIn some ways this is my favorite Dumas and thus I think that it ranks with the Count of Monte Cristo and the Three Musketeers. The action takes place during Henry III's reign and follows two intertwined plot lines: 1)the adventures of Chicot, the king's "jester," and 2) the love intriques of Bussy d'Amboise and the tragic Dame de Monsoreau. The political rivalries of the various aristocratic court factions is entertaining and interesting and, it is my impression, fairly (but not completely) accurate history. Though Chicot is an invention and the historical Bussy (a footnote character of the period) highly highly romanticised. Who cares if a small liberty or two are taken? Chicot is marvelously drawn, a wonderful character who both loves and despises his weak and highly flawed benefactor, Henry III. Chicot is clever, cunning, brave and decent but interested too in his own interests. He is also a proud but poor Gascon gentleman. He manipulates the king for his own amusment but also for good purpose. Were the book only about him it would be a great read. But even better, Dumas gives us Bussy d'Amboise, Louis de Clermont, Comte de Bussy, the brave, proud, handsome, man of honor who personafies the French aristrocratic (especially the post-Revolution, 19th Cent. Romantic notion of,) ethos. The romance between Bussy and La Dame (Diana) is romantic indeed: he is injured in a cowardly ambush (in which he defends himself magnificantly, of course) Diana nurses him but secretly and her identity remains a mystery for sometime. Poor Diana has a tragic situation and eventually, Bussy manages to find her etc... The ending is unforegettable and provides the basis for the sequal: The Forty-Five Guardsmen: an uneven story with some good moments, but sadly, inferior to this. Note: "La Dame" is the sequal to Marguerite de Valois (see film: La Reign Margot aka Queen Margot) I first read this when I was about 19 and it is still great, great fun 21 years later. If you like any Dumas, you'll like this alot. Technically, of course, this is not great literature but it is great in its own way.Chicot, The Jester. Overview

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Peer Gynt (Dodo Press) Review

Peer Gynt (Dodo Press)
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Peer Gynt (Dodo Press) ReviewOften funny. Often bizarre. Always deep. Peer Gynt first appears to me as this self-centered youth who cares only for himself and the satisfaction of his impulses and whims at any cost. He is the quick non-thinker, who leaves a life of relative conventionality to roam as a dissolute wanderer. He is indeed all of these things, but all the while his "self" is not "centered". At the end of his adventures as a libertine, the grey-bearded Peer Gynt is at a cross-roads, and he asks the character of the Button Moulder this question: "What, after all, is this being one's self?" The Button Moulder replies that being one's self means slaying one's Self, and furthermore "observing the Master's intentions in all things." Peer Gynt contemplates this... restraint and delayed gratification have never been manageable themes with him. In my opinion, this whole idea of the search for the "self" is what Peer Gynt is all about. At the very final crossroads he is redeemed by the undeserved forgiveness and love of Solvieg, the woman he has once abandoned... this scene being a beautiful picture of the grace and love of God that is available to the Peer Gynt in every reader.
Ibsen originally wrote Peer Gynt as a poem, and therefore we lose the Norwegian rhyme and metre in any English translation. To compensate if at all possible, I suggest reading the play while listening to the incidental music of Edvard Grieg, specifically composed to accompany the live performance of Peer Gynt. (Note: My review is based on the translation by Peter Watts).Peer Gynt (Dodo Press) Overview

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